G N'R Lies |
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| Reckless Life Nice Boys Move To The City Mama Kin Patience Used To Love Her You're Crazy One In A Million Videos: Patience Singles: Patience Biggest hit: Patience Working title(s): Lies. The drugs, the sex, the violence, the shockin' truth Album sales: "G N' R Lies" probably sold 10-12 million copies worldwide. It sold 5 million copies in USA, and a little over 100,000 in Britain. Chart Positions: #2 in USA, #22 in UK |
Title:
G N'R Lies Released: December, 1988 Label: Geffen Tracks: 8 Running Time: 33:23 Produced by: Mike Clink & Guns N' Roses Engineered by: Andy Udoff, Alan Abrahams, Ron DaSilva & Micajah Ryan Mixed by: Hans Peter Heuber, Alan Niven, Steve Thompson & Michael Barbiero Mastered by: Barry Diament Mixed at: The Record Plant Additional Information: Like the cover of "Appetite For Destruction", "Lies" was also changed because it was banned in several countries. Originally the cover said "Wife beating has been around for 10.000 years". Notable mentions in the thank you list: Doug Goldstein and everyone who participated in the success of Appetite For Destruction. |
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Recording Info |
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| Recorded
at: Rumbo Studios, Take One Studio, Image
Studio Recorded between: The first four songs were recorded late 1986 and the last four were recorded early 1988 Assistant Engineers: Andy Udoff (Rumbo), Alan Abrahams (Record Plant), Ron DaSilva (Image), Micajah Ryan (Take One) Other songs recorded: "Shadow Of Your Love" (Fast) and "Cornshucker" (probably Acoustic/Electric). Other songs considered: "Jumpin' Jack Flash" and "Heartbreak Hotel" may have also been considered. |
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The Cover |
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The "G N' R Lies" cover was made like a
newspaper front, and on the original pressing it featured two headlines: "Ladies,
welcome to the dark ages" and "Wife-beating has been around for 10,000
years." This seemed demeaning to women, so on future pressings, the haedlines was
replaced with: "Elephant gives birth to midget" and "LIES * LIES *
LIES". The original cover also featured an uncensored picture of a nude woman on the
inside sleeve. This picture was censored on later prints.
Duff: Like the Inquirer or something.4 |
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In Their Own Words |
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Axl: The reason we released the 'GN'R Lies' EP was
so that we don't get pigeonholed into one type of music that people expect from us. We
like all kinds of music and we'll play all types of music.5 Slash: It wasn't done expensively. It's not like, a major album. It's not anything... It's just like, a sort of filler.9 Axl: We've
been talking about the songs as 'acoustic', but on three of them there is electric guitar.
That's the way we've tried Gilby: Izzy wrote songs like "You Could Be Mine," "Pretty Tied Up" and "Patience" and those are still in the live-repertory. As I said Guns wouldn't have been anything without Izzy, and in spite of the things that has happened between them there's no reason to exclude his material. Slash: We did "Lies" during this period [after the Perkins Palace shows 1987]. We got the acoustic stuff all down and I did my guitar over dubs. That kept me occupied for a fucking second. [...] The guitar parts on "Lies" took me exactly two weeks; if anything, I was so excited to be back in LA that I ripped through them too quickly - I wish it had all taken longer.11 Slash: After nurtring us through making the record, then waiting a year for it to take off, Tom Zutaut wasn't going to let this upswing lose momentum: he convinced us to package the acoustic recordings we'd just done with the "Live! Like A Suicide" album and release it immediately. We called it Gn'R Lies and it was released on November 29, 1988. The album hit the top five a week after it was released, and suddenly this band that Geffen had nearly dropped was breaking records: we were the only act to have two albums in the top five at the same time during the entire 80s.12 Slash: The material actually came together a little easier this time. We knew what we wanted to do, so every time we had a break from the road we'd all get together in an L.A. rehearsal hall and try to get some new songs together. The four musicians in the band would work on some basic song structures while Axl would be off working on his lyrics. Then we'd get together and see what fit together. It was amazing how even if we didn't know what the other guy was doing how the words and music just naturally fit together."13 |
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Album Reviews |
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Allmusic.com Highlights:
"Nice Boys", "Move
To The City", "Patience" The good news is that Lies is a lot more interesting than that. Serious fans even those who might have missed the previously released tracks will want to concern themselves with the new side of the album first. The calm folk-rock melodies of these four acoustic songs reveal yet another welcome facet of Guns n' Roses. They should also end any further mutterings from the doubting Thomases out there who are still making snide comments about the band's potential for longevity. The lyrics are typically controversial. There's "Used to Love Her" ("But I had to kill her"), a hilarious countryish number that will probably have feminist hot lines jammed across the country, and "One in a Million," a beautiful ballad that attacks nearly every minority group in existence; its lyrics are patented Axl Rose venom tempered with something that sounds oddly like compassion. "Patience," a song familiar to fans who've seen the band live, and "You're Crazy," in its original laid-back form, serve as added bonuses. If you were expecting another Appetite for Destruction, this record or at least its acoustic half may disappoint you. But if you've been looking for proof that Guns n' Roses aren't just another thrash in the pan, G n' R Lies is what you've been waiting for. And much more. |
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