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| Matt Sorum was born November
19, 1960 in Long Beach, California. Raised by the norwegian-born David Sorum, and the
british-born Joanne Alexander, he was introduced to classical music and opera at an early
age. Matt's older brothers, Michael and Mark, gave Matt a glimpse into the rock music at
that time, and Matt started listening to artists like Black Sabbath, Jimi Hendrix as well
as the Doors and Cream. Seeing the Beatles at
the Ed Sullivan show influenced Matt to start playing drums, and in high school, he formed
the band Prophecy. After he graduated, Matt left the band, and he also left Long Beach to
search for other artists to play with. Matt relocated to Los Angeles, where he started
playing in various local bands, and he became well known in the local music scene. In the summer of 1990, Steven Adler was fired from Guns N' Roses due to problems with his drug abuse. Adam Maples from Sea Hags filled in temporarily, while Martin Chamers from Britain's Pretenders was considered briefly. The band did, however, need a permanent drummer, and as Matt Sorum had impressed Slash when he saw The Cult play the local Universal Amphitheater venue, Matt was asked to join the band. "Guns N' Roses came in my life. It was so great! Can you imagine this? My friends called me and said 'Hey, Matt, you're in The Cult, I know this band. But Guns N' Roses! Even my grandmother knew them!' It's a big name! In USA, you can ask a 80 years old woman and she knows the band!" Obviously, Guns N' Roses gave Matt an offer he could not turn down, and suddenly he found himself working in the biggest band in the world. They rehearsed a month, and then started recording material for their next album. The first song Matt did in GnR was "Knockin' On Heavens Door", which was used for the "Days Of Thunder"-soundtrack. Matt did his live debut for Guns N' Roses in January, 1991, at the Rock In Rio festival, held in Rio de Janeiro, Brazil. With an audience of 130.000 people two nights in a row, this was a nervous moment for Matt. Before the show, Matt was also told he had to do a drum solo. "My first gig was Rock in Rio, which is the biggest gig in South America, which is about ... 170,000 [people], something like that. That was my initial welcoming to the band gig, which was two nights, sold-out." After this concert, GnR went back to the studio to lay down finishing touches on the material done for the new album, before they went back on a two and a half year long tour. After the end of the tour, GnR went back to studio again,
and they recorded the album "The Spaghetti Incident?". After the ending of the
recording progress, Matt went back to studio, first with Duff McKagan to work on Duff's
solo album "Believe In Me" and later with Gilby Clarke, on his album
"Pawnshop Guitars". When the band went back on tour, Axl asked Matt not to do the tour with Snakepit: "If I toured with Snakepit, it could have caused serious consequences. It could have divided GnR. So, if a band as important as GnR would have broken up because I toured with Snakepit, I would have flagellate myself! I was in between, there was Slash 'Come on , man, tour with us,' but I told him 'Slash, for 4 months, we will fuck GnR up.' So I stayed at home and I worked a bit with Axl and Duff." Later that year, Matt was asked by a friend to do a charity
concert: "This guy, Sal, called me and asked me if I could help him for that charity
concert. He called me because he knows me. So I called all the musicians that I knew. John
Taylor and Steve Jones agreed immediately. Then I called a lot of people, Dave Gahan
(Depeche Mode), Shannon Hoon (Blind Melon), Ian Astbury (The Cult), but they weren't
interested. The last I called was Duff. We already had a bassist, John, and I was
uncomfortable to ask him to play guitar. He was enthusiastic when I told him he was going
to play with Steve Jones. For this concert, there was Duff, John, Steve and me. Izzy
Stradlin, West Arkeen and Steve Stevens (ex-Billy Idol) were also there. So we made
$10,000." After leaving Guns N' Roses, Matt started working on different projects, both working with other artists - as a drummer or producer - and making movie scores with Lanny Cordola. In 2000, he rejoined The Cult, for a summer tour, and they went back to the studio and recorded "Beyond Good And Evil", before going back on a world tour. When the tour ended, Matt was searching for new projects, and he found himself jamming with ex-bandmates Slash and Duff at various times. Matt joined the band Camp Freddy, which also featured Dave Navarro (guitar), Billy Morrison (guitar), Scott Ford (bass) as well as singer Donovan Leich. The band played clubs and was guested by artists like Moby, Robbie Williams, ex-gunners Slash and Duff, Macy Gray and many others. While playing in Camp Freddy, Matt also worked with Slash, Duff and Dave Kushner, and it was confirmed in August, 2002, that the so called "project" was their main project. On May 13, 2003, the line-up for the band was revealed by Rolling Stone Magazine, and Scott Weiland was confirmed as the singer. The band chose the name Velvet Revolver, and started recording their debut album, which was released June 8, 2004. The band went on tour after the release. (Last Updated December 30, 2005) |
Artist Name:
Matt Sorum |
| Influences Black Sabbath: My first band I was really into was probably Black Sabbath. You know, during junior high school. Led Zeppelin: Then I got into Led Zeppelin and Aerosmith. Aerosmith: Then I got into Led Zeppelin and Aerosmith. Others: John Bonham, Beatles a.o. |
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| Quotes "Axl's a bit eccentric, one of a kind. You've just got to kind of go with it. We get along really well. He's, you know, a different kind of cat." "Axl's so fucking great. Anything he does or says, it's just because that's the way he really is. He's beyond real, you know. I've never seen anyone dare to talk shit to him, ever. I love that." "I had very difficult moments with Axl, but he's extremely intelligent, he's a very emotive guy who writes great songs. Sometimes, I have the feeling he's a genius. Axl is really intelligent and he always make the good choices." "He fired me 2 or 3 times and he called me back. We all have been fired at least 1 time! Seriously, it's true that he sometimes goes too far. Sometime I open my mouth and I say 'Ok, Axl, fuck off!', then he fires me. So? I know he will call me the next day.""Duff's looking really good and healthy. At the end of the tour [1993] Duff was one foot in the grave." (1996) "I replaced Steven Adler and many people said Use your Illusion is very different from Appetite For Destruction. It wouldn't have been constructive to do Appetite 2. Many people also said I'm better than Steven. No, I only play in a different way." "He's [Gilby] a great guy. But I don't know if he was the good guy to write the new album with us." "You go to Slash's house and there's not one of those things anywhere in sight. And then Axl's got them out in his garage. But he's got kind of a cool setup. He's got them in his garage hanging around an old car - he's got like this old '55 Chevy. And then you go to Duff's and they're everywhere! [laughs]. Duff's got them in his game room - but he's got a very big game room!" "Lead singers are just difficult. They just are. I'm sorry. If you don't hold an instrument in your hand, then you're just gonna be a pain in the ass." "I didn't write any songs on those records. But I learned, through the business, it's nice to have some songwriting. That helps a lot, because that's your bread and butter. That always will come in. Every time those songs are on the radio, you see cash. For years and years after. That's your catalogue, that's your nest egg. " "We're [me and Duff] 75% of the band. You know, they don't wanna admit it. But it's true!" "I didn't know people thought |
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